Nowadays many people prefer to look at a screen on a computer or other device. But newsprint (and paper generally) as a medium for media is clearly shrinking in popularity. We still see quite a few black-and-white photos in newspapers, for example. It is much cheaper to print photographs as black-and-white halftones instead of color separations. The answer the graphic artists will give you is technical: High-quality publications requiring large print runs are still produced using offset presses. Why choose something as antiquated as black and white, produced at a time when film-based color was either impossible, or at least somewhat difficult and expensive? Desktop printers can produce high-quality color as easily as black and white-maybe even easier. Digital imaging makes it easy to both photograph and display color photos. The world of photography is awash in color, and has been for quite a few years. Then follow steps 5-11 for each layer.Learning Software (Version CS6 and CC 2020, and Bridge CC 2023)Ī self-guided tutorial by Ross Collins, professor of communication, North Dakota State University Creating images in black and white Once you have a separate channel for each layer, convert back to RGB. Turn off all layers except the one you want to create a separate channel for and then duplicate the gray channel. ***ADVANCED MOVE: This works if you have a layered file as well. Coloring will *only* color the line parts, and any original shading, etc, will be preserved. You can set the layer to be opaque or transparent, and so on. You can make yourself a new background by creating a new layer (Layers menu > New Layer), dragging it below the “color art” layer, and filling it with white or whatever color you like.ġ1) Now back to the color art layer you created: you can color it with whatever tools you like (paintbrush, gradient, select/fill, etc.). Now you can deselect.ĩ) Lock the transparent pixels for that layer.ġ0) Turn off or discard the layer for the original drawing. The body parts are in different layers in Photoshop and I used the “multiply” effect on each layer to give it the overprinted look.Ĩ) Go to Edit menu > Fill and fill the selection with black. Using this method, I was able to maintain light and dark variations of the paint. Here’s another example of an illustration I did in black ink and colored in Photoshop. (UPDATE: Disregard this step from my original post.) You can call this layer “color art” or something like that.ħ) Invert the selection by going to Select menu > Inverse. Make a new layer by selecting “New Layer” from the drop-down menu. This will select the drawing in a way that preserves shading (unlike using the Magic Wand).Ħ) Go to the Window Menu and view the Layers window if it is not open already. (Image menu > Mode > RGB) If you get a message asking you if you want to merge the layers, say no.ĥ) In the Channels Window, turn off all of the channels except for your new one, “b/w art.” Command-click (Mac) or Control-Click(Windows) on the icon for “b/w art”. Rename the new channel, for instance, “b/w art”.Ĥ) Change mode to RGB. Make a copy of the “gray” (ie, the only) channel by selecting “Duplicate Channel” from the drop-down menu. (Image menu > Mode > Grayscale)ģ) Go to the Window Menu and select the Channels window so you can see it. Liz actually taught me this great way to color black and white artwork digitally using Photoshop and here’s how you do it:ġ) Make a black-on-white line drawing with whatever tools you like, scan it in, and open it up in Photoshop.Ģ) Change mode to Grayscale. I created the piece of artwork above by drawing it first in pencil, then ink, then scanning it and adding texture and color in Photoshop.
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